Wire Bonsai by Ken To
Bonsai is a reflective art, but you could almost see yourself in the delicately wrapped copper wire that Ken uses to cnstruct his miniature bonsai sculptures, which are available to purchase at his rondei.
I want fifty
I can’t find my ipod
how am I going to read pdfs in the bath now
for all you poor souls with finals this week.
For centuries, medical students have learned anatomy and surgical techniques on cadavers. This is fine, aside from one tiny problem: They’re dead.
“Cadavers are perfect for gross anatomy training, and it’s very common for physicians to learn how to do things on cadaver parts,” explains Dr. Christopher Sakezles, founder of SynDaver, a synthetic cadaver company selling models that pump blood and breathe. But operating on a cadaver differs from the reality of operating on someone who reacts to the incisions or treatment. That’s why Sakezles’s SynDavers provide a different kind of training altogether.
“The endgame of all this is actually to replace a live patient,” he says.
The architect had an idea.
I get that for some of my depression posts as well. I find it useful to do the “a, b, c, d, e, [tag]” thing, so that my tags can’t be found publicly.
I need to start doing this, smh why don’t people understand that posts under read mores are usually very freaking personal
ughghghghghgh no no no no no
that last post got reblogged by a self-harm glorification blog
delete that right now
how dare you
I use those tags so people can blacklist my posts, not so blogs like yours can find them goddamit
ahsan monjil আহসান মঞ্জিল
Ahsan Manzil (Bengali: আহসান মঞ্জিল) was the official residential palace and seat of the Dhaka Nawab Family. It is situated on the banks of the Buriganga River. The palace is now a museum.
The palace has enjoyed a varied history, starting from being Rang Mahal (of Sheikh Enayetullah, a Zamindar of Jamalpur pargana (Barisal) during the time of the Mughals) to a French trading centre. Nawab Khwaja Alimullah bought it from the French in 1830 and converted it into his residence, effecting necessary reconstruction and renovations. The final reconstruction was done by Martin & Company, a European construction and engineering firm, at the behest of Nawab Khwaja Abdul Ghani, who converted this house into the official Nawabi residence.
The construction of the palace was begun in 1859 and completed in 1872. Abdul Ghani named it Ahsan Manzil after his son Nawab Khwaja Ahsanullah. The newly built palace first came to be known as the Rang Mahal. On April 7, 1888, a tornado caused severe damage to Ahsan Manzil — Andar Mahal, the older part of the palace, was completely devastated. During the reconstruction of the Andar Mahal a good part of the palace was overhauled and repaired, and the exquisite dome of the present Rang Mahal was added. Ahsan Manzil was again damaged by an earthquake in 12 June 1897 and again repaired by the Nawab Ahsanullah.
Nawab Sir Salimullah with his family in front of Ahsan Manzil
In 1874, Lord Northbrook, Governor General of India attended an evening function in the palace when he came to lay the foundation of a water works installed by Nawab Abdul Ghani. In 1888, Lord Dufferin also accepted the hospitality offered at Ahsan Manzil. In 1904 Lord Curzon, on a visit to East Bengal, stayed in this palace on 18 and 19 February to win public support for the proposed Partition of Bengal.
Almost all political activities of Nawab Khwaja Salimullah centred round this palace. Ahsan Manzil was the cradle of the All India Muslim League. With the decline of the Nawabs of Dhaka, Ahsan Manzil also started to decline.
When in 1952 the Dhaka Nawab State was acquired under the East Bengal Estate Acquisition Act, it became impossible for the successors of the Nawabs to maintain the palace due to financial constraints. Nawab Khwaja Habibullah started living at Paribag Green House soon after the acquisition of the zamindari. The palace was soon on the verge of collapse as successors rented out rooms without considering its dignity. Over the years illegal occupants turned the place into a filthy slum.
Recognising the historical and architectural importance of the Ahsan Manzil, the government of Bangladesh took the initiative to renovate it. In 1985 Ahsan Manzil and its surroundings were acquired. After the completion of the renovation work in 1992 under the supervision of the Directorate of Public Works and Architecture, it was brought under the control of Bangladesh National Museum (20 September 1992). A museum has been established there.
Ahsan Manzil has now been converted into a museum and a popular tourist attraction of old Dhaka.
Ahsan Manzil is one of the most significant architectural monuments of Bangladesh. Established on a raised platform of 1 metre, the two-storied palace measures 125.4 m by 28.75 m. The height of the ground floor is 5 metres and that of the first floor 5.8 metres. There are porticos the height of the ground floor, both on the northern and southern sides of the palace. An open spacious stairway comes down from the southern portico, extending onto the bank of the river through the front garden. There was once a fountain in the garden in front of the stairs, that does not exist today. The spacious north and south verandas of both the floors rest on semicircular arches. The verandas and rooms are covered with marble.
To construct the dome of Ahsan Manzil, the square room on the ground floor was given a round shape with brickwork in the corners. The room was then given an octagonal shape near the roof by squinches. This octagonal shape took the form of the drum of the dome. Finally, the kumud kali (buds of lotus) shaped dome was constructed by gradually slanting the eight corners to the peak. The dome is 27.13 m above the ground.
(Source: Flickr / noprayer4dying)
Payag (c. 1591-1658): Shah Jahan Riding on Horseback: folio from the Shah Jahan Album, c. 1630, ink, opaque watercolour, and gold on paper, 38,9 x 25,7 cm, Metropolitan Museum of Art, New York, United States of America, source: commons.wikimedia.org. and metmuseum.org.
Fong Qi Wei
'Time is a Dimension' series, 2013